HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT] album cover

ISRC

USAT21906512

HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]

YOUNG THUG
matched
Released 2019-10-28

Last verified:

USAT21906512 is the International Standard Recording Code (ISRC) for the recording "HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]" by YOUNG THUG, released 2019-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JACQUES WEBSTER, JEFFERY LAMAR WILLIAMS, WESLEY TYLER GLASS, and others.

Format

USCountry
AT2Registrant
19Year (2019)
06512Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]

People also ask

What is the ISRC for "HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]" by YOUNG THUG?
The ISRC for "HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]" by YOUNG THUG is USAT21906512.
Who wrote "HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]"?
"HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]" was written by JACQUES WEBSTER, JEFFERY LAMAR WILLIAMS, WESLEY TYLER GLASS, SERGIO KITCHENS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT21906512?

USAT21906512 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HOT (REMIX) [FEAT. GUNNA AND TRAVIS SCOTT]" by YOUNG THUG. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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