Finest Hour (acoustic version) album cover

ISRC

USAT21811030

Finest Hour (acoustic version)2

Song: FINEST HOUR

Cash CashAbir
matched
Released 2021-10-28

Last verified:

USAT21811030 is the International Standard Recording Code (ISRC) for the recording “Finest Hour (acoustic version) by Cash Cash, Abir, released 2021-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALEXANDER LUKE MAKHLOUF, SAMUEL WARREN FRISCH, JEAN PAUL MAKHLOUF, and others.

Format

USCountry
AT2Registrant
18Year (2018)
11030Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFinest Hour (acoustic version)

People also ask

What is the ISRC for "Finest Hour (acoustic version)" by Cash Cash?
The ISRC for "Finest Hour (acoustic version)" by Cash Cash, Abir is USAT21811030.
Who wrote "Finest Hour (acoustic version)"?
"Finest Hour (acoustic version)" was written by ALEXANDER LUKE MAKHLOUF, SAMUEL WARREN FRISCH, JEAN PAUL MAKHLOUF, ABIR HARONNI, DAVID DALTON, FRANK HENDLER, NATE JOHN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT21811030?

USAT21811030 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Finest Hour (acoustic version) by Cash Cash, Abir. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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