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Brazilian Soul album cover

ISRC

USAT21810714

Brazilian Soul

Song: BRAZILIAN SOUL

The KnocksSofi Tukker
unmatchedNot yet matched in the MLC database
Released 2018-09-28

Last verified:

USAT21810714 is the International Standard Recording Code (ISRC) for the recording “Brazilian Soul” by The Knocks, Sofi Tukker, released 2018-09-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BENJAMIN MICHAEL RUTTNER, KAELYN BEHR, TUCKER RAYMOND HALPERN, and others.

Format

USCountry
AT2Registrant
18Year (2018)
10714Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBrazilian Soul
IPIBENJAMIN MICHAEL RUTTNER

People also ask

What is the ISRC for "Brazilian Soul" by The Knocks?
The ISRC for "Brazilian Soul" by The Knocks, Sofi Tukker is USAT21810714.
Who wrote "Brazilian Soul"?
"Brazilian Soul" was written by BENJAMIN MICHAEL RUTTNER, KAELYN BEHR, TUCKER RAYMOND HALPERN, GUARAI MACHADO, SOFI TUKKER, JAMES PATTERSON, IVAN JACKSON ROSENBERG, INCONNU COMPOSITEUR AUTEUR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAT21810714?

USAT21810714 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Brazilian Soul” by The Knocks, Sofi Tukker. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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