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Die Walküre, WWV 86B, Act II Scene 2: Ein Andres ist‘s album cover

ISRC

USASX2662451

Die Walküre, WWV 86B, Act II Scene 2: Ein Andres ist‘s

Song: Die Walküre, WWV 86B: Akt II, Scene II "Schlimm, fürcht' ich, schloß der Streit"

Mark DelavanLise LindstromDallas Symphony OrchestraFabio Luisi

Last verified:

USASX2662451 is the International Standard Recording Code (ISRC) for the recording "Die Walküre, WWV 86B, Act II Scene 2: Ein Andres ist‘s" by Mark Delavan, Lise Lindstrom, Dallas Symphony Orchestra, Fabio Luisi. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
ASXRegistrant
26Year (2026)
62451Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2026):
Last two digits of the reference year (2026). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die Walküre, WWV 86B, Act II Scene 2: Ein Andres ist‘s" by Mark Delavan?
The ISRC for "Die Walküre, WWV 86B, Act II Scene 2: Ein Andres ist‘s" by Mark Delavan, Lise Lindstrom, Dallas Symphony Orchestra, Fabio Luisi is USASX2662451.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USASX2662451?

USASX2662451 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Walküre, WWV 86B, Act II Scene 2: Ein Andres ist‘s" by Mark Delavan, Lise Lindstrom, Dallas Symphony Orchestra, Fabio Luisi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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