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The Gods Are Talking Heads album cover

ISRC

USAR11400118

The Gods Are Talking Heads2

Song: THE GODS ARE TAKING HEADS

King SunPoor Righteous Teachers
matched
Released 1990-01-01

Last verified:

USAR11400118 is the International Standard Recording Code (ISRC) for the recording “The Gods Are Talking Heads” by King Sun, Poor Righteous Teachers, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KERRY LEE WILLIAMS, TIMOTHY W. GRIMES, ANTHONY DEPULA, and others.

Format

USCountry
AR1Registrant
14Year (2014)
00118Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThe Gods Are Talking Heads
IPIKERRY LEE WILLIAMS

People also ask

What is the ISRC for "The Gods Are Talking Heads" by King Sun?
The ISRC for "The Gods Are Talking Heads" by King Sun, Poor Righteous Teachers is USAR11400118.
Who wrote "The Gods Are Talking Heads"?
"The Gods Are Talking Heads" was written by KERRY LEE WILLIAMS, TIMOTHY W. GRIMES, ANTHONY DEPULA, WONDER TROY, RAHMIKAHN TURNBOW.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAR11400118?

USAR11400118 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Gods Are Talking Heads” by King Sun, Poor Righteous Teachers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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