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See You in Hell album cover

ISRC

USAM19800097

See You in Hell2

Song: SEE YOU IN HELL

Monster Magnet
matched
Released 1998-06-16

Last verified:

USAM19800097 is the International Standard Recording Code (ISRC) for the recording “See You in Hell” by Monster Magnet, released 1998-06-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVE WYNDORF.

Format

USCountry
AM1Registrant
98Year (1998)
00097Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DAVE WYNDORFComposer
LOVOLAR MUSIC OriginalPublisherIPI: 00590960324
BIKE MUSIC RightsAdministratorIPI: 00565526921

Who publishes this song?

LOVOLAR MUSICOriginalPublisher
IPI: 00590960324
BIKE MUSICRightsAdministrator
IPI: 00565526921

Credits Graph

MLC Song Code

S31157
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "See You in Hell" by Monster Magnet?
The ISRC for "See You in Hell" by Monster Magnet is USAM19800097.
Who wrote "See You in Hell"?
"See You in Hell" was written by DAVE WYNDORF.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USAM19800097?

USAM19800097 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “See You in Hell” by Monster Magnet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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