Who’s Been Jivin' You album cover

ISRC

USACU0502116

Who’s Been Jivin' You2

Song: WHO'S BEEN JIVING YOU

Texas Slim
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Last verified:

USACU0502116 is the International Standard Recording Code (ISRC) for the recording “Who’s Been Jivin' You by Texas Slim. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HOOKER.

Format

USCountry
ACURegistrant
05Year (2005)
02116Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HOOKERComposer
KING OF BOOGIE MUSIC OriginalPublisherIPI: 00231138017
WIXEN MUSIC PUBLISHING, INC. RightsAdministratorIPI: 00229993322

Who publishes this song?

KING OF BOOGIE MUSICOriginalPublisher
IPI: 00231138017
WIXEN MUSIC PUBLISHING, INC.RightsAdministrator
IPI: 00229993322

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Who’s Been Jivin' You" by Texas Slim?
The ISRC for "Who’s Been Jivin' You" by Texas Slim is USACU0502116.
Who wrote "Who’s Been Jivin' You"?
"Who’s Been Jivin' You" was written by HOOKER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USACU0502116?

USACU0502116 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Who’s Been Jivin' You by Texas Slim. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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