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Come On Home Baby album cover

ISRC

USA560587512

Come On Home Baby2

Song: COME ON HOME

Calvin Owens & His Blues Orchestra
matched
Released 2005-08-23

Last verified:

USA560587512 is the International Standard Recording Code (ISRC) for the recording “Come On Home Baby” by Calvin Owens & His Blues Orchestra, released 2005-08-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALVIN O. TYLER.

Format

USCountry
A56Registrant
05Year (2005)
87512Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ALVIN O. TYLERComposer
MECHANICAL COPYRIGHT PROTECTION SOCIETY LTD OriginalPublisher100.00%

Who publishes this song?

MECHANICAL COPYRIGHT PROTECTION SOCIETY LTDOriginalPublisher
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Come On Home Baby" by Calvin Owens & His Blues Orchestra?
The ISRC for "Come On Home Baby" by Calvin Owens & His Blues Orchestra is USA560587512.
Who wrote "Come On Home Baby"?
"Come On Home Baby" was written by ALVIN O. TYLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA560587512?

USA560587512 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Come On Home Baby” by Calvin Owens & His Blues Orchestra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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