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Currency (Count on Me) album cover

ISRC

USA2P2475425

Currency (Count on Me)

Song: CURRENCY

ANOTRCimafunkPAMÉ
matched
Released 2025-01-28

Last verified:

USA2P2475425 is the International Standard Recording Code (ISRC) for the recording “Currency (Count on Me)” by ANOTR, Cimafunk, PAMÉ, released 2025-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by OGUZ HAN GUNEY, JESSE PIOTR PIM HEIJDEN VAN DER, JHEYNNER J. ARGOTE FRIAS, and others.

Format

USCountry
A2PRegistrant
24Year (2024)
75425Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCurrency (Count on Me)
IPIOGUZ HAN GUNEY

People also ask

What is the ISRC for "Currency (Count on Me)" by ANOTR?
The ISRC for "Currency (Count on Me)" by ANOTR, Cimafunk, PAMÉ is USA2P2475425.
Who wrote "Currency (Count on Me)"?
"Currency (Count on Me)" was written by OGUZ HAN GUNEY, JESSE PIOTR PIM HEIJDEN VAN DER, JHEYNNER J. ARGOTE FRIAS, JESSE MOES, PAMELA ROBLES VASQUEZ, ERIK ALEJANDRO IGLESIAS RODRIGUEZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USA2P2475425?

USA2P2475425 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Currency (Count on Me)” by ANOTR, Cimafunk, PAMÉ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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