THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION) album cover

ISRC

US23A1529429

THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)

Song: THERE BUT FOR THE GRACE OF GOD GO I

Kraftwerk
matched

Last verified:

US23A1529429 is the International Standard Recording Code (ISRC) for the recording "THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)" by Kraftwerk. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AUGUST DARNELL, K. NANCE.

Format

USCountry
23ARegistrant
15Year (2015)
29429Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)

People also ask

What is the ISRC for "THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)" by Kraftwerk?
The ISRC for "THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)" by Kraftwerk is US23A1529429.
Who wrote "THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)"?
"THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)" was written by AUGUST DARNELL, K. NANCE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC US23A1529429?

US23A1529429 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THERE BUT FOR THE GRACE OF GOD GO I (ORIGINAL VERSION)" by Kraftwerk. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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