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I, Myself & Me album cover

ISRC

TCAIY2427231

I, Myself & Me

Song: I, MYSELF & ME

Ab-SoulDoechii
unmatchedNot yet matched in the MLC database
Released 2024-11-08

Last verified:

TCAIY2427231 is the International Standard Recording Code (ISRC) for the recording "I, Myself & Me" by Ab-Soul, Doechii, released 2024-11-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HERBERT ANTHONY STEVENS, MOHAMMED OASIK ALAM, ANDREW BOYD, and others.

Format

TCCountry
AIYRegistrant
24Year (2024)
27231Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI, Myself & Me
IPIHERBERT ANTHONY STEVENS

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Songwriter profiles

HERBERT ANTHONY STEVENSIPIANH QUOC DOANIPIJAYLAH JI MYA HICKMONIPIDONTE LAMAR PERKINSIPI

People also ask

What is the ISRC for "I, Myself & Me" by Ab-Soul?
The ISRC for "I, Myself & Me" by Ab-Soul, Doechii is TCAIY2427231.
Who wrote "I, Myself & Me"?
"I, Myself & Me" was written by HERBERT ANTHONY STEVENS, MOHAMMED OASIK ALAM, ANDREW BOYD, ANH QUOC DOAN, JAYLAH JI MYA HICKMON, DONTE LAMAR PERKINS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCAIY2427231?

TCAIY2427231 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I, Myself & Me" by Ab-Soul, Doechii. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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