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Khmer: The Industrial Era album cover

ISRC

TCAEL1933925

Khmer: The Industrial Era2

Song: THE RIVER--SUITE--INDUSTRIAL EXPANSION IN THE MISSISSIPPI VALLEY

Geoff Knorr
matched
Released 2019-09-27

Last verified:

TCAEL1933925 is the International Standard Recording Code (ISRC) for the recording “Khmer: The Industrial Era” by Geoff Knorr, released 2019-09-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VIRGIL THOMSON.

Format

TCCountry
AELRegistrant
19Year (2019)
33925Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

VIRGIL THOMSONComposer
SOUTHERN MUSIC PUB CO INC OriginalPublisherIPI: 00029260492

Who publishes this song?

SOUTHERN MUSIC PUB CO INCOriginalPublisher
IPI: 00029260492

Credits Graph

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Khmer: The Industrial Era" by Geoff Knorr?
The ISRC for "Khmer: The Industrial Era" by Geoff Knorr is TCAEL1933925.
Who wrote "Khmer: The Industrial Era"?
"Khmer: The Industrial Era" was written by VIRGIL THOMSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCAEL1933925?

TCAEL1933925 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Khmer: The Industrial Era” by Geoff Knorr. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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