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Angels of War album cover

ISRC

TCAAR1038410

Angels of War2

Song: ANGELS OF WAR

Crimson Glory
unmatchedNot yet matched in the MLC database
Released 1986-01-01

Last verified:

TCAAR1038410 is the International Standard Recording Code (ISRC) for the recording “Angels of War” by Crimson Glory, released 1986-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

TCCountry
AARRegistrant
10Year (2010)
38410Designation
Country:
ISO 3166-1 alpha-2 country code (TC).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

JOHN DRENNINGComposer
MIDNIGHTComposer
JEFF LORDSComposer

MLC Song Code

A41424
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Angels of War" by Crimson Glory?
The ISRC for "Angels of War" by Crimson Glory is TCAAR1038410.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC TCAAR1038410?

TCAAR1038410 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Angels of War” by Crimson Glory. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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