Shit We Do for Love (original demo) album cover

ISRC

SEWEE2330930

Shit We Do for Love (original demo)

Icona PopYaeger
matched
Released 2023-12-01

Last verified:

SEWEE2330930 is the International Standard Recording Code (ISRC) for the recording "Shit We Do for Love (original demo)" by Icona Pop, Yaeger, released 2023-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ELIZABETH BOLAND, CAROLINE HJELT, AINO JAWO, and others.

Format

SECountry
WEERegistrant
23Year (2023)
30930Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCShit We Do for Love (original demo)

People also ask

What is the ISRC for "Shit We Do for Love (original demo)" by Icona Pop?
The ISRC for "Shit We Do for Love (original demo)" by Icona Pop, Yaeger is SEWEE2330930.
Who wrote "Shit We Do for Love (original demo)"?
"Shit We Do for Love (original demo)" was written by ELIZABETH BOLAND, CAROLINE HJELT, AINO JAWO, HANNA GILLIAN KRISTINA JAEGER, PHILIP JOHAN EDVARD STRAND, YAROSLAV POLIKARPOV, ENZO EMANUEL INGROSSO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEWEE2330930?

SEWEE2330930 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Shit We Do for Love (original demo)" by Icona Pop, Yaeger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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