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Take It All album cover

ISRC

SE5752249300

Take It All2

Song: TAKE IT ALL

Kado
unmatchedNot yet matched in the MLC database
Released 2022-03-11

Last verified:

SE5752249300 is the International Standard Recording Code (ISRC) for the recording “Take It All” by Kado, released 2022-03-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
575Registrant
22Year (2022)
49300Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

BRADY PONDERComposerLyricist
PROMOTING SOUNDS OriginalPublisher

Who publishes this song?

PROMOTING SOUNDSOriginalPublisher

MLC Song Code

TE344B
Verify on MLC Portal →
SourcesMusicBrainzNotesMLCMLC4 sources

Verified on

People also ask

What is the ISRC for "Take It All" by Kado?
The ISRC for "Take It All" by Kado is SE5752249300.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SE5752249300?

SE5752249300 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Take It All” by Kado. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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