No Rest for the Wicked (Robin Schulz remix) album cover

ISRC

SE22U1400123

No Rest for the Wicked (Robin Schulz remix)

Song: NO REST FOR THE WICKED

Lykke Li
unmatchedNot yet matched in the MLC database
Released 2014-09-19

Last verified:

SE22U1400123 is the International Standard Recording Code (ISRC) for the recording "No Rest for the Wicked (Robin Schulz remix)" by Lykke Li, released 2014-09-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BJORN DANIEL ARNE YTTLING, LYKKE ZACHRISSON.

Format

SECountry
22URegistrant
14Year (2014)
00123Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNo Rest for the Wicked (Robin Schulz remix)

People also ask

What is the ISRC for "No Rest for the Wicked (Robin Schulz remix)" by Lykke Li?
The ISRC for "No Rest for the Wicked (Robin Schulz remix)" by Lykke Li is SE22U1400123.
Who wrote "No Rest for the Wicked (Robin Schulz remix)"?
"No Rest for the Wicked (Robin Schulz remix)" was written by BJORN DANIEL ARNE YTTLING, LYKKE ZACHRISSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SE22U1400123?

SE22U1400123 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "No Rest for the Wicked (Robin Schulz remix)" by Lykke Li. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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