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MOVING ON album cover

ISRC

QZMHN2096424

MOVING ON

BLAIKZBLAIKZ MAX FAIL BLAZE UMAX FAIL & BLAZE UMAX FAILBLAZE UBLAIKZ;MAX FAIL;BLAZE UBLAZE U BLAIKZ MAX FAIL
matched

Last verified:

QZMHN2096424 is the International Standard Recording Code (ISRC) for the recording “MOVING ON” by BLAIKZ, BLAIKZ MAX FAIL BLAZE U, MAX FAIL & BLAZE U, MAX FAIL, BLAZE U, BLAIKZ;MAX FAIL;BLAZE U, BLAZE U BLAIKZ MAX FAIL. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SVEN SCHWARZ, BENJAMIN DARM.

Format

QZCountry
MHNRegistrant
20Year (2020)
96424Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMOVING ON
IPISVEN SCHWARZ

People also ask

What is the ISRC for "MOVING ON" by BLAIKZ?
The ISRC for "MOVING ON" by BLAIKZ, BLAIKZ MAX FAIL BLAZE U, MAX FAIL & BLAZE U, MAX FAIL, BLAZE U, BLAIKZ;MAX FAIL;BLAZE U, BLAZE U BLAIKZ MAX FAIL is QZMHN2096424.
Who wrote "MOVING ON"?
"MOVING ON" was written by SVEN SCHWARZ, BENJAMIN DARM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZMHN2096424?

QZMHN2096424 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MOVING ON” by BLAIKZ, BLAIKZ MAX FAIL BLAZE U, MAX FAIL & BLAZE U, MAX FAIL, BLAZE U, BLAIKZ;MAX FAIL;BLAZE U, BLAZE U BLAIKZ MAX FAIL. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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