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  3. QZARB1844003
Scratches and Bruises album cover

ISRC

QZARB1844003

Scratches and Bruises

Edward Barton
Released 2009-09-01

Last verified: September 5, 2026

QZARB1844003 is the International Standard Recording Code (ISRC) for the recording “Scratches and Bruises” by Edward Barton, released 2009-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
ARBRegistrant
18Year (2018)
44003Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

Verified on

  • MusicBrainz recording record

People also ask

What is the ISRC for "Scratches and Bruises" by Edward Barton?+
The ISRC for "Scratches and Bruises" by Edward Barton is QZARB1844003.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC QZARB1844003?

QZARB1844003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Scratches and Bruises” by Edward Barton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Edward Barton

QZARB1844003 is the International Standard Recording Code (ISRC) for the recording “Scratches and Bruises” by Edward Barton, released 2009-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Edward Barton

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