Bound for the Promised Land album cover

ISRC

QZ28A1800041

Bound for the Promised Land2

Song: BOUND FOR THE PROMISED LAND

Nefesh MountainSam BushJerry Douglas
matched
Released 2018-01-01

Last verified:

QZ28A1800041 is the International Standard Recording Code (ISRC) for the recording “Bound for the Promised Land” by Nefesh Mountain, Sam Bush, Jerry Douglas, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIELLA ZASLOFF THOMAS, PUBLIC DOMAIN, ERIC DANIEL LINDBERG.

Format

QZCountry
28ARegistrant
18Year (2018)
00041Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBound for the Promised Land

People also ask

What is the ISRC for "Bound for the Promised Land" by Nefesh Mountain?
The ISRC for "Bound for the Promised Land" by Nefesh Mountain, Sam Bush, Jerry Douglas is QZ28A1800041.
Who wrote "Bound for the Promised Land"?
"Bound for the Promised Land" was written by DANIELLA ZASLOFF THOMAS, PUBLIC DOMAIN, ERIC DANIEL LINDBERG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ28A1800041?

QZ28A1800041 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bound for the Promised Land” by Nefesh Mountain, Sam Bush, Jerry Douglas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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