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Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25) album cover

ISRC

QT3FE2591905

Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)2

Song: SMILE

Eggy
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Last verified:

QT3FE2591905 is the International Standard Recording Code (ISRC) for the recording “Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)” by Eggy. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DANIEL BATTAT.

Format

QTCountry
3FERegistrant
25Year (2025)
91905Designation
Country:
ISO 3166-1 alpha-2 country code (QT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSmile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)
IPIDANIEL BATTAT

People also ask

What is the ISRC for "Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)" by Eggy?
The ISRC for "Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)" by Eggy is QT3FE2591905.
Who wrote "Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)"?
"Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)" was written by DANIEL BATTAT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QT3FE2591905?

QT3FE2591905 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Smile (Live From The Wescott Theater, Syracuse, NY, 3.14.25)” by Eggy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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