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ISRC

QMSDU1600084

Beastmode (Nightwatch remix)

Song: Beastmode

Alvin RiskHodgy Beats
unmatchedNot yet matched in the MLC database
Released 2016-05-13

Last verified:

QMSDU1600084 is the International Standard Recording Code (ISRC) for the recording "Beastmode (Nightwatch remix)" by Alvin Risk, Hodgy Beats, released 2016-05-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by UZ, GERARD LONG II, MARCIO ANTONIO ALVARADO.

Format

QMCountry
SDURegistrant
16Year (2016)
00084Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

UZComposer
GERARD LONG IIComposer
MARCIO ANTONIO ALVARADOComposer

MLC Song Code

BVBTJP
Verify on MLC Portal →
SourcesNotesMusicBrainzCommunity3 sources

Verified on

People also ask

What is the ISRC for "Beastmode (Nightwatch remix)" by Alvin Risk?
The ISRC for "Beastmode (Nightwatch remix)" by Alvin Risk, Hodgy Beats is QMSDU1600084.
Who wrote "Beastmode (Nightwatch remix)"?
"Beastmode (Nightwatch remix)" was written by UZ, GERARD LONG II, MARCIO ANTONIO ALVARADO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMSDU1600084?

QMSDU1600084 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Beastmode (Nightwatch remix)" by Alvin Risk, Hodgy Beats. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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