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START DISSIN' album cover

ISRC

QMFME2525037

START DISSIN'2

Song: START DISSIN

Hit-BoySpank Nitti JamesBabyTronAZ Chike
unmatchedNot yet matched in the MLC database
Released 2025-11-27

Last verified:

QMFME2525037 is the International Standard Recording Code (ISRC) for the recording “START DISSIN'” by Hit-Boy, Spank Nitti James, BabyTron, AZ Chike, released 2025-11-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHAUNCEY ALEXANDER HOLLIS, DAMARIA KEYSHAWN WALKER, SCOTT STARCH, and others.

Format

QMCountry
FMERegistrant
25Year (2025)
25037Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSTART DISSIN'
IPICHAUNCEY ALEXANDER HOLLIS

People also ask

What is the ISRC for "START DISSIN'" by Hit-Boy?
The ISRC for "START DISSIN'" by Hit-Boy, Spank Nitti James, BabyTron, AZ Chike is QMFME2525037.
Who wrote "START DISSIN'"?
"START DISSIN'" was written by CHAUNCEY ALEXANDER HOLLIS, DAMARIA KEYSHAWN WALKER, SCOTT STARCH, JAMES EDWARD JOHNSON IV, DERRICK REYNOLDS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFME2525037?

QMFME2525037 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “START DISSIN'” by Hit-Boy, Spank Nitti James, BabyTron, AZ Chike. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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