ISRC

QMBZ92167850

FANTASMA

BENY JRBENY JR & EL GUINCHOBENY JR EL GUINCHOEL GUINCHOBENY JR;EL GUINCHOFAKEGUIDO
unmatchedNot yet matched in the MLC database
Released 2021-06-25

Last verified:

QMBZ92167850 is the International Standard Recording Code (ISRC) for the recording "FANTASMA" by BENY JR, BENY JR & EL GUINCHO, BENY JR EL GUINCHO, EL GUINCHO, BENY JR;EL GUINCHO, FAKEGUIDO, released 2021-06-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PABLO DIAZ-REIXA DIAZ, PABLO MARTINEZ ALBORCH, MOHAMED EL RIFI BEN YECHOU.

Format

QMCountry
BZ9Registrant
21Year (2021)
67850Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

People also ask

What is the ISRC for "FANTASMA" by BENY JR?
The ISRC for "FANTASMA" by BENY JR, BENY JR & EL GUINCHO, BENY JR EL GUINCHO, EL GUINCHO, BENY JR;EL GUINCHO, FAKEGUIDO is QMBZ92167850.
Who wrote "FANTASMA"?
"FANTASMA" was written by PABLO DIAZ-REIXA DIAZ, PABLO MARTINEZ ALBORCH, MOHAMED EL RIFI BEN YECHOU.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMBZ92167850?

QMBZ92167850 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FANTASMA" by BENY JR, BENY JR & EL GUINCHO, BENY JR EL GUINCHO, EL GUINCHO, BENY JR;EL GUINCHO, FAKEGUIDO. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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