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Blasphemy album cover

ISRC

QMBZ91532765

Blasphemy

Song: BLASPHEMY

Jim JonesMel MatrixStack BundlesSen City
matched
Released 2008-04-18

Last verified:

QMBZ91532765 is the International Standard Recording Code (ISRC) for the recording "Blasphemy" by Jim Jones, Mel Matrix, Stack Bundles, Sen City, released 2008-04-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TREY AZAGTHOTH.

Format

QMCountry
BZ9Registrant
15Year (2015)
32765Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TREY AZAGTHOTHComposer
MECHANICAL COPYRIGHT PROTECTION SOCIETY LTD OriginalPublisher100.00%

Who publishes this song?

MECHANICAL COPYRIGHT PROTECTION SOCIETY LTDOriginalPublisher

MLC Song Code

B4212F
Verify on MLC Portal →
SourcesMusicBrainzNotes2 sources

Verified on

People also ask

What is the ISRC for "Blasphemy" by Jim Jones?
The ISRC for "Blasphemy" by Jim Jones, Mel Matrix, Stack Bundles, Sen City is QMBZ91532765.
Who wrote "Blasphemy"?
"Blasphemy" was written by TREY AZAGTHOTH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMBZ91532765?

QMBZ91532765 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Blasphemy" by Jim Jones, Mel Matrix, Stack Bundles, Sen City. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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