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ISRC

QM6XS1806040

What’s Wrong Boy?2

Song: WHAT'S WRONG BOY?

Slaughter and the Dogs
unmatchedNot yet matched in the MLC database
Released 1980-01-01

Last verified:

QM6XS1806040 is the International Standard Recording Code (ISRC) for the recording “What’s Wrong Boy?” by Slaughter and the Dogs, released 1980-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
6XSRegistrant
18Year (2018)
06040Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HOWARD G BATESComposer
DICK JAMES MUSIC LTD. OriginalPublisher
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL INC RightsAdministratorIPI: 00353265272

Who publishes this song?

DICK JAMES MUSIC LTD.OriginalPublisher
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL INCRightsAdministrator
IPI: 00353265272

MLC Song Code

W25083
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "What’s Wrong Boy?" by Slaughter and the Dogs?
The ISRC for "What’s Wrong Boy?" by Slaughter and the Dogs is QM6XS1806040.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM6XS1806040?

QM6XS1806040 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “What’s Wrong Boy?” by Slaughter and the Dogs. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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