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Here We Are album cover

ISRC

QM42K2021552

Here We Are2

Song: HERE WE ARE

Es-KDope DeeDan BishopDanny Whitney
matched
Released 2020-04-28

Last verified:

QM42K2021552 is the International Standard Recording Code (ISRC) for the recording “Here We Are” by Es-K, Dope Dee, Dan Bishop, Danny Whitney, released 2020-04-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT WHITMORE RONCI.

Format

QMCountry
42KRegistrant
20Year (2020)
21552Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROBERT WHITMORE RONCIComposerLyricist
SONGTRUST BLVD OriginalPublisherIPI: 00615755145

Who publishes this song?

SONGTRUST BLVDOriginalPublisher
IPI: 00615755145

Credits Graph

MLC Song Code

HA0BV6
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Here We Are" by Es-K?
The ISRC for "Here We Are" by Es-K, Dope Dee, Dan Bishop, Danny Whitney is QM42K2021552.
Who wrote "Here We Are"?
"Here We Are" was written by ROBERT WHITMORE RONCI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM42K2021552?

QM42K2021552 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Here We Are” by Es-K, Dope Dee, Dan Bishop, Danny Whitney. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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