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State of Mind (90 Miles remix) album cover

ISRC

QM42K1994969

State of Mind (90 Miles remix)2

Song: STATE OF MIND

PASSIKMax FailHeleen
matched
Released 2019-05-03

Last verified:

QM42K1994969 is the International Standard Recording Code (ISRC) for the recording “State of Mind (90 Miles remix)” by PASSIK, Max Fail, Heleen, released 2019-05-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MELISSA KLEINE DE, PASCAL MUENGER, HELENA ROOSDORP, and others.

Format

QMCountry
42KRegistrant
19Year (2019)
94969Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCState of Mind (90 Miles remix)
IPIMELISSA KLEINE DE

People also ask

What is the ISRC for "State of Mind (90 Miles remix)" by PASSIK?
The ISRC for "State of Mind (90 Miles remix)" by PASSIK, Max Fail, Heleen is QM42K1994969.
Who wrote "State of Mind (90 Miles remix)"?
"State of Mind (90 Miles remix)" was written by MELISSA KLEINE DE, PASCAL MUENGER, HELENA ROOSDORP, FREEK VAN DER HEIDE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM42K1994969?

QM42K1994969 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “State of Mind (90 Miles remix)” by PASSIK, Max Fail, Heleen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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