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To Pick a Butterfly album cover

ISRC

QM3DF2112119

To Pick a Butterfly2

Song: TO PICK A BUTTERFLY

smbdy/else
matched
Released 2021-08-09

Last verified:

QM3DF2112119 is the International Standard Recording Code (ISRC) for the recording “To Pick a Butterfly” by smbdy/else, released 2021-08-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLÉMENT MATRAT, CLEMENT MATRAT.

Format

QMCountry
3DFRegistrant
21Year (2021)
12119Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CLÉMENT MATRATComposerLyricist
LOFI JAZZ RADIO OriginalPublisherIPI: 01045607182
CLEMENT MATRATComposer

Who publishes this song?

LOFI JAZZ RADIOOriginalPublisher
IPI: 01045607182

Credits Graph

MLC Song Code

TE7BOS
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "To Pick a Butterfly" by smbdy/else?
The ISRC for "To Pick a Butterfly" by smbdy/else is QM3DF2112119.
Who wrote "To Pick a Butterfly"?
"To Pick a Butterfly" was written by CLÉMENT MATRAT, CLEMENT MATRAT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM3DF2112119?

QM3DF2112119 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “To Pick a Butterfly” by smbdy/else. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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