TWO TRUTHS AND A LIE album cover

ISRC

QM24S2405044

TWO TRUTHS AND A LIE

ASTNASTN & THUYASTN;THUYASTN THỦYASTN & THỦYTHỦYTHUY ASTNTHUY
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QM24S2405044 is the International Standard Recording Code (ISRC) for the recording "TWO TRUTHS AND A LIE" by ASTN, ASTN & THUY, ASTN;THUY, ASTN THỦY, ASTN & THỦY, THỦY, THUY ASTN, THUY. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEROME CASTILLE, CHARLES ROBERT CHARRON, JAY CORTEZ, and others.

Format

QMCountry
24SRegistrant
24Year (2024)
05044Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTWO TRUTHS AND A LIE

People also ask

What is the ISRC for "TWO TRUTHS AND A LIE" by ASTN?
The ISRC for "TWO TRUTHS AND A LIE" by ASTN, ASTN & THUY, ASTN;THUY, ASTN THỦY, ASTN & THỦY, THỦY, THUY ASTN, THUY is QM24S2405044.
Who wrote "TWO TRUTHS AND A LIE"?
"TWO TRUTHS AND A LIE" was written by JEROME CASTILLE, CHARLES ROBERT CHARRON, JAY CORTEZ, JOHN AUSTIN SANDERS, GRANT TS SAYLER, THUY THI THU TRAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM24S2405044?

QM24S2405044 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "TWO TRUTHS AND A LIE" by ASTN, ASTN & THUY, ASTN;THUY, ASTN THỦY, ASTN & THỦY, THỦY, THUY ASTN, THUY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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