I WANT YOU TO WANT ME album cover

ISRC

QM24S2404081

I WANT YOU TO WANT ME

CLEM SNIDECLEM SNIDE & EEF BARZELAYCLEM SNIDE EEF BARZELAYEEF BARZELAY CLEM SNIDE
unmatchedNot yet matched in the MLC database

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QM24S2404081 is the International Standard Recording Code (ISRC) for the recording "I WANT YOU TO WANT ME" by CLEM SNIDE, CLEM SNIDE & EEF BARZELAY, CLEM SNIDE EEF BARZELAY, EEF BARZELAY CLEM SNIDE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICHARD ALAN NIELSEN.

Format

QMCountry
24SRegistrant
24Year (2024)
04081Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI WANT YOU TO WANT ME

People also ask

What is the ISRC for "I WANT YOU TO WANT ME" by CLEM SNIDE?
The ISRC for "I WANT YOU TO WANT ME" by CLEM SNIDE, CLEM SNIDE & EEF BARZELAY, CLEM SNIDE EEF BARZELAY, EEF BARZELAY CLEM SNIDE is QM24S2404081.
Who wrote "I WANT YOU TO WANT ME"?
"I WANT YOU TO WANT ME" was written by RICHARD ALAN NIELSEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM24S2404081?

QM24S2404081 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I WANT YOU TO WANT ME" by CLEM SNIDE, CLEM SNIDE & EEF BARZELAY, CLEM SNIDE EEF BARZELAY, EEF BARZELAY CLEM SNIDE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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