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distractions for geovias tobias album cover

ISRC

QM24S1818417

distractions for geovias tobias2

Song: DISTRACTIONS FOR GEOVIAS TOBIAS

Anna WiseJon Bap
unmatchedNot yet matched in the MLC database
Released 2018-06-27

Last verified:

QM24S1818417 is the International Standard Recording Code (ISRC) for the recording “distractions for geovias tobias” by Anna Wise, Jon Bap, released 2018-06-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANNA CHRISTINE WISE, JONATHAN MAURICE REED, JONATHAN REED II.

Format

QMCountry
24SRegistrant
18Year (2018)
18417Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCdistractions for geovias tobias
IPIANNA CHRISTINE WISE

People also ask

What is the ISRC for "distractions for geovias tobias" by Anna Wise?
The ISRC for "distractions for geovias tobias" by Anna Wise, Jon Bap is QM24S1818417.
Who wrote "distractions for geovias tobias"?
"distractions for geovias tobias" was written by ANNA CHRISTINE WISE, JONATHAN MAURICE REED, JONATHAN REED II.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM24S1818417?

QM24S1818417 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “distractions for geovias tobias” by Anna Wise, Jon Bap. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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