ISRC

PLS922064599

FIESTA ALL NIGHT

#1 HITS NOWLATINO DANCE MUSIC ACADEMYTOP 40TOP 40 #1 HITS NOW LATINO DANCE MUSIC ACADEMY
unmatchedNot yet matched in the MLC database

Last verified:

PLS922064599 is the International Standard Recording Code (ISRC) for the recording "FIESTA ALL NIGHT" by #1 HITS NOW, LATINO DANCE MUSIC ACADEMY, TOP 40, TOP 40 #1 HITS NOW LATINO DANCE MUSIC ACADEMY. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARCO RINALDO.

Format

PLCountry
S92Registrant
20Year (2020)
64599Designation
Country:
ISO 3166-1 alpha-2 country code (PL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARCO RINALDOComposerLyricist

MLC Song Code

Verified on

People also ask

What is the ISRC for "FIESTA ALL NIGHT" by #1 HITS NOW?
The ISRC for "FIESTA ALL NIGHT" by #1 HITS NOW, LATINO DANCE MUSIC ACADEMY, TOP 40, TOP 40 #1 HITS NOW LATINO DANCE MUSIC ACADEMY is PLS922064599.
Who wrote "FIESTA ALL NIGHT"?
"FIESTA ALL NIGHT" was written by MARCO RINALDO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC PLS922064599?

PLS922064599 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FIESTA ALL NIGHT" by #1 HITS NOW, LATINO DANCE MUSIC ACADEMY, TOP 40, TOP 40 #1 HITS NOW LATINO DANCE MUSIC ACADEMY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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