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Prelude in B-flat major op. 28 no. 21 album cover

ISRC

PLC702264728

Prelude in B-flat major op. 28 no. 212

Song: PRELUDE NO. 21 IN B FLAT MAJOR - CANTABILE

Aimi Kobayashi
matched
Released 2022-05-23

Last verified:

PLC702264728 is the International Standard Recording Code (ISRC) for the recording “Prelude in B-flat major op. 28 no. 21” by Aimi Kobayashi, released 2022-05-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FREDERIC CHOPIN.

Format

PLCountry
C70Registrant
22Year (2022)
64728Designation
Country:
ISO 3166-1 alpha-2 country code (PL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FREDERIC CHOPINComposerLyricist

Credits Graph

MLC Song Code

PF6PRQ
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Prelude in B-flat major op. 28 no. 21" by Aimi Kobayashi?
The ISRC for "Prelude in B-flat major op. 28 no. 21" by Aimi Kobayashi is PLC702264728.
Who wrote "Prelude in B-flat major op. 28 no. 21"?
"Prelude in B-flat major op. 28 no. 21" was written by FREDERIC CHOPIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC PLC702264728?

PLC702264728 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Prelude in B-flat major op. 28 no. 21” by Aimi Kobayashi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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