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  1. Home
  2. ISRCs
  3. PHV031012348
Nang Ma-Meet Kita album cover

ISRC

PHV031012348

Nang Ma-Meet Kita

Andrew E.Rica Peralejo
Released 2002-01-06

Last verified: August 26, 2026

PHV031012348 is the International Standard Recording Code (ISRC) for the recording “Nang Ma-Meet Kita” by Andrew E., Rica Peralejo, released 2002-01-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

PHCountry
V03Registrant
10Year (2010)
12348Designation
Country:
ISO 3166-1 alpha-2 country code (PH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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People also ask

What is the ISRC for "Nang Ma-Meet Kita" by Andrew E.?+
The ISRC for "Nang Ma-Meet Kita" by Andrew E., Rica Peralejo is PHV031012348.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC PHV031012348?

PHV031012348 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Nang Ma-Meet Kita” by Andrew E., Rica Peralejo. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Andrew E.Rica Peralejo

PHV031012348 is the International Standard Recording Code (ISRC) for the recording “Nang Ma-Meet Kita” by Andrew E., Rica Peralejo, released 2002-01-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Andrew E., Rica Peralejo

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