Salamat Sa Pagibig Mo album cover

ISRC

PHV021011904

Salamat Sa Pagibig Mo2

Song: SALAMAT SA PAG-IBIG MO

Rey Valera
matched
Released 2005-01-01

Last verified:

PHV021011904 is the International Standard Recording Code (ISRC) for the recording “Salamat Sa Pagibig Mo by Rey Valera, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VALERA REY.

Format

PHCountry
V02Registrant
10Year (2010)
11904Designation
Country:
ISO 3166-1 alpha-2 country code (PH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

VALERA REYComposerLyricist
ABS-CBN FILM PRODUCTIONS INC. OriginalPublisher
WC MUSIC CORP. SubPublisherIPI: 00392888203

Who publishes this song?

ABS-CBN FILM PRODUCTIONS INC.OriginalPublisher
WC MUSIC CORP.SubPublisher
IPI: 00392888203

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Salamat Sa Pagibig Mo" by Rey Valera?
The ISRC for "Salamat Sa Pagibig Mo" by Rey Valera is PHV021011904.
Who wrote "Salamat Sa Pagibig Mo"?
"Salamat Sa Pagibig Mo" was written by VALERA REY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC PHV021011904?

PHV021011904 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Salamat Sa Pagibig Mo by Rey Valera. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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