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ISRC

PHSO31901395

So Long! (instrumental)2

Song: SO LONG!

MNL48
matched
Released 2019-01-01

Last verified:

PHSO31901395 is the International Standard Recording Code (ISRC) for the recording “So Long! (instrumental)” by MNL48, released 2019-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SHINGO KUJIME.

Format

PHCountry
SO3Registrant
19Year (2019)
01395Designation
Country:
ISO 3166-1 alpha-2 country code (PH).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SHINGO KUJIMEComposer
DH CO LTD OriginalPublisher0.00%IPI: 01032867859
MUSIC OF WINDSWEPT RightsAdministrator100.00%IPI: 00343939538

Who publishes this song?

DH CO LTDOriginalPublisher
IPI: 01032867859
MUSIC OF WINDSWEPTRightsAdministrator
IPI: 00343939538

MLC Song Code

SA5TDK
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "So Long! (instrumental)" by MNL48?
The ISRC for "So Long! (instrumental)" by MNL48 is PHSO31901395.
Who wrote "So Long! (instrumental)"?
"So Long! (instrumental)" was written by SHINGO KUJIME.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC PHSO31901395?

PHSO31901395 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “So Long! (instrumental)” by MNL48. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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