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Tunnel Vision (Don Diablo edit) album cover

ISRC

NLZ541601462

Tunnel Vision (Don Diablo edit)2

Song: TUNNEL VISION (DON DIABLO EDIT)

Zonderling
matched
Released 2017-01-27

Last verified:

NLZ541601462 is the International Standard Recording Code (ISRC) for the recording “Tunnel Vision (Don Diablo edit)” by Zonderling, released 2017-01-27. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DON SCHIPPERS, MARTIJN VAN SONDEREN.

Format

NLCountry
Z54Registrant
16Year (2016)
01462Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DON SCHIPPERSComposer
MARTIJN VAN SONDERENComposer

MLC Song Code

TVF82V
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Tunnel Vision (Don Diablo edit)" by Zonderling?
The ISRC for "Tunnel Vision (Don Diablo edit)" by Zonderling is NLZ541601462.
Who wrote "Tunnel Vision (Don Diablo edit)"?
"Tunnel Vision (Don Diablo edit)" was written by DON SCHIPPERS, MARTIJN VAN SONDEREN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLZ541601462?

NLZ541601462 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Tunnel Vision (Don Diablo edit)” by Zonderling. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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