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Cafe Del Mar (Peetu S radio edit) album cover

ISRC

NLF711400879

Cafe Del Mar (Peetu S radio edit)

Song: CAFE DEL MAR

Paul Oakenfold
matched
Released 2014-03-24

Last verified:

NLF711400879 is the International Standard Recording Code (ISRC) for the recording "Cafe Del Mar (Peetu S radio edit)" by Paul Oakenfold, released 2014-03-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL SCHMITZ-MOORMANN, COSMIC BABY.

Format

NLCountry
F71Registrant
14Year (2014)
00879Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PAUL SCHMITZ-MOORMANNComposer
COSMIC BABYComposer

MLC Song Code

C16998
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Cafe Del Mar (Peetu S radio edit)" by Paul Oakenfold?
The ISRC for "Cafe Del Mar (Peetu S radio edit)" by Paul Oakenfold is NLF711400879.
Who wrote "Cafe Del Mar (Peetu S radio edit)"?
"Cafe Del Mar (Peetu S radio edit)" was written by PAUL SCHMITZ-MOORMANN, COSMIC BABY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF711400879?

NLF711400879 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cafe Del Mar (Peetu S radio edit)" by Paul Oakenfold. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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