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The War (The Private Language remix) album cover

ISRC

NLE712100043

The War (The Private Language remix)2

Song: THE WAR

BTIraina Mancini
unmatchedNot yet matched in the MLC database
Released 2021-09-17

Last verified:

NLE712100043 is the International Standard Recording Code (ISRC) for the recording “The War (The Private Language remix)” by BT, Iraina Mancini, released 2021-09-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRIAN WAYNE TRANSEAU, PAUL HARRIS, SI HULBERT, and others.

Format

NLCountry
E71Registrant
21Year (2021)
00043Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThe War (The Private Language remix)
IPIBRIAN WAYNE TRANSEAU

People also ask

What is the ISRC for "The War (The Private Language remix)" by BT?
The ISRC for "The War (The Private Language remix)" by BT, Iraina Mancini is NLE712100043.
Who wrote "The War (The Private Language remix)"?
"The War (The Private Language remix)" was written by BRIAN WAYNE TRANSEAU, PAUL HARRIS, SI HULBERT, IRANAI MANCINI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLE712100043?

NLE712100043 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The War (The Private Language remix)” by BT, Iraina Mancini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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