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Hamlet, op. 67a: Fanfare album cover

ISRC

NLE420703007

Hamlet, op. 67a: Fanfare2

Song: HAMLET

Russian National OrchestraVladimir Jurowski
matched
Released 2008-10-01

Last verified:

NLE420703007 is the International Standard Recording Code (ISRC) for the recording “Hamlet, op. 67a: Fanfare” by Russian National Orchestra, Vladimir Jurowski, released 2008-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PETER ILYICH TCHAIKOVSKY.

Format

NLCountry
E42Registrant
07Year (2007)
03007Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PETER ILYICH TCHAIKOVSKYComposer

MLC Song Code

H16305
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hamlet, op. 67a: Fanfare" by Russian National Orchestra?
The ISRC for "Hamlet, op. 67a: Fanfare" by Russian National Orchestra, Vladimir Jurowski is NLE420703007.
Who wrote "Hamlet, op. 67a: Fanfare"?
"Hamlet, op. 67a: Fanfare" was written by PETER ILYICH TCHAIKOVSKY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLE420703007?

NLE420703007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hamlet, op. 67a: Fanfare” by Russian National Orchestra, Vladimir Jurowski. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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