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Pianos Rising From the Grave album cover

ISRC

NLCK42234986

Pianos Rising From the Grave

Song: PIANOS RISING FROM THE GRAVE

4am KruMcDonaldJannetta
unmatchedNot yet matched in the MLC database
Released 2023-09-14

Last verified:

NLCK42234986 is the International Standard Recording Code (ISRC) for the recording “Pianos Rising From the Grave” by 4am Kru, McDonald, Jannetta, released 2023-09-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RUTH EDMONDSON, ANGUS PETER MCDONALD, HOWARD NEIL WHATLEY, and others.

Format

NLCountry
CK4Registrant
22Year (2022)
34986Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPianos Rising From the Grave
IPIRUTH EDMONDSON

People also ask

What is the ISRC for "Pianos Rising From the Grave" by 4am Kru?
The ISRC for "Pianos Rising From the Grave" by 4am Kru, McDonald, Jannetta is NLCK42234986.
Who wrote "Pianos Rising From the Grave"?
"Pianos Rising From the Grave" was written by RUTH EDMONDSON, ANGUS PETER MCDONALD, HOWARD NEIL WHATLEY, PAUL JANNETTA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLCK42234986?

NLCK42234986 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Pianos Rising From the Grave” by 4am Kru, McDonald, Jannetta. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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