ISRC
NLA507301174
Madamina (Part 1)
Song: Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
Last verified:
NLA507301174 is the International Standard Recording Code (ISRC) for the recording "Madamina (Part 1)" by Nederlands Blazers Ensemble. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-929621870-7.
Format
- Country:
- ISO 3166-1 alpha-2 country code (NL).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1973):
- Last two digits of the reference year (1973). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Musical Work (ISWC)
T-929621870-7Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)Related
Other versions of this workView all on iswc.fm
MADAMINA, IL CATALOGO È QUESTO
USB8U1506347
MADAMINA, IL CATALOGO È QUESTO
USB8U1013003
Don Giovanni: Atto I, Scena V. No. 4 Aria: “Madamina, il catalogo è questo” (Leporello)
English Baroque Soloists, Sir John Eliot Gardiner
DEF059430810
Don Giovanni: Acte I. Scène 2. «Madamina, il catalogo è questo»
Leontyne Price, Walter Berry, Wiener Philharmoniker, Herbert von Karajan
FR9W16000089
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle
DEN960600800
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People also ask
What is ISRC NLA507301174?
NLA507301174 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Madamina (Part 1)" by Nederlands Blazers Ensemble. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-929621870-7, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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