좋아해도 되나요 (...Is It OK?) album cover

ISRC

KRA300811496

좋아해도 되나요 (...Is It OK?)2

Song: IS IT OK?

f(x)
matched
Released 2011-06-14

Last verified:

KRA300811496 is the International Standard Recording Code (ISRC) for the recording “좋아해도 되나요 (...Is It OK?) by f(x), released 2011-06-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by HYUN HWANG.

Format

KRCountry
A30Registrant
08Year (2008)
11496Designation
Country:
ISO 3166-1 alpha-2 country code (KR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

HYUN HWANGComposer
FUJIPACIFIC MUSIC INC OriginalPublisherIPI: 00762539126
SONGS OF WINDSWEPT PACIFIC RightsAdministratorIPI: 00353570366

Who publishes this song?

FUJIPACIFIC MUSIC INCOriginalPublisher
IPI: 00762539126
SONGS OF WINDSWEPT PACIFICRightsAdministrator
IPI: 00353570366

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "좋아해도 되나요 (...Is It OK?)" by f(x)?
The ISRC for "좋아해도 되나요 (...Is It OK?)" by f(x) is KRA300811496.
Who wrote "좋아해도 되나요 (...Is It OK?)"?
"좋아해도 되나요 (...Is It OK?)" was written by HYUN HWANG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC KRA300811496?

KRA300811496 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “좋아해도 되나요 (...Is It OK?) by f(x). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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