ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章 album cover

ISRC

JPU901901964

ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章2

Song: PIANO SONATA NO 18 IN E FLAT, OP 31 NO 3 - IV PRESTO CON FUO

Hisako Kawamura
matched
Released 2019-10-02

Last verified:

JPU901901964 is the International Standard Recording Code (ISRC) for the recording “ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章 by Hisako Kawamura, released 2019-10-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CARLOS MARQUEZ, RANEY J SCHACKNE, LUDWIG VAN BEETHOVEN, and others.

Format

JPCountry
U90Registrant
19Year (2019)
01964Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章

People also ask

What is the ISRC for "ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章" by Hisako Kawamura?
The ISRC for "ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章" by Hisako Kawamura is JPU901901964.
Who wrote "ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章"?
"ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章" was written by CARLOS MARQUEZ, RANEY J SCHACKNE, LUDWIG VAN BEETHOVEN, ALEC BRIAN PURO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPU901901964?

JPU901901964 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ピアノ・ソナタ 第18番 変ホ長調 作品31の3 「狩り」 第1楽章 by Hisako Kawamura. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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