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Kansas City - Hey Hey Hey Hey album cover

ISRC

JPTO09229160

Kansas City - Hey Hey Hey Hey2

Song: HEY SEXY

Little RichardMasayoshi Takanaka
matched
Released 1992-08-05

Last verified:

JPTO09229160 is the International Standard Recording Code (ISRC) for the recording "Kansas City - Hey Hey Hey Hey" by Little Richard, Masayoshi Takanaka, released 1992-08-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIKE STOLLER, JERRY LEIBER.

Format

JPCountry
TO0Registrant
92Year (1992)
29160Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCKansas City - Hey Hey Hey Hey
IPIMIKE STOLLER

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Songwriter profiles

MIKE STOLLERIPIJERRY LEIBERIPI

People also ask

What is the ISRC for "Kansas City - Hey Hey Hey Hey" by Little Richard?
The ISRC for "Kansas City - Hey Hey Hey Hey" by Little Richard, Masayoshi Takanaka is JPTO09229160.
Who wrote "Kansas City - Hey Hey Hey Hey"?
"Kansas City - Hey Hey Hey Hey" was written by MIKE STOLLER, JERRY LEIBER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPTO09229160?

JPTO09229160 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Kansas City - Hey Hey Hey Hey" by Little Richard, Masayoshi Takanaka. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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