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アレンの道－ゲド戦記序曲 album cover

ISRC

JPP300601207

アレンの道－ゲド戦記序曲2

Song: ARENNO MICHI GEDO SENKI JOKYOKU

Carlos Núñez
matched
Released 2007-01-17

Last verified:

JPP300601207 is the International Standard Recording Code (ISRC) for the recording "アレンの道－ゲド戦記序曲" by Carlos Núñez, released 2007-01-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TAMIYA TERASHIMA.

Format

JPCountry
P30Registrant
06Year (2006)
01207Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TAMIYA TERASHIMAComposer
STUDIO GHIBLI OriginalPublisher0.00%IPI: 00473554732
SONY/ATV TUNES LLC OriginalPublisher100.00%IPI: 00338164558

Who publishes this song?

STUDIO GHIBLIOriginalPublisher
IPI: 00473554732
SONY/ATV TUNES LLCOriginalPublisher
IPI: 00338164558

MLC Song Code

A7191P
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "アレンの道－ゲド戦記序曲" by Carlos Núñez?
The ISRC for "アレンの道－ゲド戦記序曲" by Carlos Núñez is JPP300601207.
Who wrote "アレンの道－ゲド戦記序曲"?
"アレンの道－ゲド戦記序曲" was written by TAMIYA TERASHIMA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPP300601207?

JPP300601207 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "アレンの道－ゲド戦記序曲" by Carlos Núñez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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