ISRC

JPN901801330

告白の夜 (LIVE!! Ayasa Theater episode 7)2

Song: KOKUHAKUNO YORU

Ayasa
matched
Released 2018-03-28

Last verified:

JPN901801330 is the International Standard Recording Code (ISRC) for the recording “告白の夜 (LIVE!! Ayasa Theater episode 7) by Ayasa, released 2018-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NOWISEE.

Format

JPCountry
N90Registrant
18Year (2018)
01330Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NOWISEEComposerLyricist
JASRAC OriginalPublisher0.00%
MUSERK JASRAC OriginalPublisher100.00%

Who publishes this song?

JASRACOriginalPublisher
MUSERK JASRACOriginalPublisher
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "告白の夜 (LIVE!! Ayasa Theater episode 7)" by Ayasa?
The ISRC for "告白の夜 (LIVE!! Ayasa Theater episode 7)" by Ayasa is JPN901801330.
Who wrote "告白の夜 (LIVE!! Ayasa Theater episode 7)"?
"告白の夜 (LIVE!! Ayasa Theater episode 7)" was written by NOWISEE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPN901801330?

JPN901801330 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “告白の夜 (LIVE!! Ayasa Theater episode 7) by Ayasa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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