世界は1分間に45回転で廻っている album cover

ISRC

JPCO09721000

世界は1分間に45回転で廻っている2

Song: THE WORLD'S SPINNING AT 45 R.P.M.

Pizzicato Five
matched
Released 1997-06-21

Last verified:

JPCO09721000 is the International Standard Recording Code (ISRC) for the recording “世界は1分間に45回転で廻っている by Pizzicato Five, released 1997-06-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by YASUHARU KONISHI.

Format

JPCountry
CO0Registrant
97Year (1997)
21000Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

YASUHARU KONISHIComposer
COLUMBIA MUSIC PUB (JAPAN) OriginalPublisher0.00%
BMG BUMBLEBEE RightsAdministrator100.00%IPI: 00722300987

Who publishes this song?

COLUMBIA MUSIC PUB (JAPAN)OriginalPublisher
BMG BUMBLEBEERightsAdministrator
IPI: 00722300987
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "世界は1分間に45回転で廻っている" by Pizzicato Five?
The ISRC for "世界は1分間に45回転で廻っている" by Pizzicato Five is JPCO09721000.
Who wrote "世界は1分間に45回転で廻っている"?
"世界は1分間に45回転で廻っている" was written by YASUHARU KONISHI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPCO09721000?

JPCO09721000 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “世界は1分間に45回転で廻っている by Pizzicato Five. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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