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歌劇≪死の都≫より「私の憧れ、私の空想」 album cover

ISRC

JPCO02029310

歌劇≪死の都≫より「私の憧れ、私の空想」2

Song: DA IHR BEFEHLET, KVNIGIN.. MEIN SEHNEN, MEIN WDHNEN FROM DIE TOTE STADT, ACT 2

黒田祐貴山中惇史
unmatchedNot yet matched in the MLC database
Released 2021-02-03

Last verified:

JPCO02029310 is the International Standard Recording Code (ISRC) for the recording “歌劇≪死の都≫より「私の憧れ、私の空想」” by 黒田祐貴, 山中惇史, released 2021-02-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
CO0Registrant
20Year (2020)
29310Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "歌劇≪死の都≫より「私の憧れ、私の空想」" by 黒田祐貴?
The ISRC for "歌劇≪死の都≫より「私の憧れ、私の空想」" by 黒田祐貴, 山中惇史 is JPCO02029310.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPCO02029310?

JPCO02029310 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “歌劇≪死の都≫より「私の憧れ、私の空想」” by 黒田祐貴, 山中惇史. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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