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Partita in E major, BWV 1006a: Gavotte en Rondeau album cover

ISRC

HKI199945303

Partita in E major, BWV 1006a: Gavotte en Rondeau2

Song: GAVOTTE EN RONDEAU FROM PARTITA FOR VIOLIN SOLO NO. 3 IN E, BWV 1006

Ana Vidović
matched
Released 2000-05-01

Last verified:

HKI199945303 is the International Standard Recording Code (ISRC) for the recording “Partita in E major, BWV 1006a: Gavotte en Rondeau” by Ana Vidović, released 2000-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDRES SEGOVIA, JOHANN SEBASTIAN BACH.

Format

HKCountry
I19Registrant
99Year (1999)
45303Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Partita in E major, BWV 1006a: Gavotte en Rondeau" by Ana Vidović?
The ISRC for "Partita in E major, BWV 1006a: Gavotte en Rondeau" by Ana Vidović is HKI199945303.
Who wrote "Partita in E major, BWV 1006a: Gavotte en Rondeau"?
"Partita in E major, BWV 1006a: Gavotte en Rondeau" was written by ANDRES SEGOVIA, JOHANN SEBASTIAN BACH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199945303?

HKI199945303 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Partita in E major, BWV 1006a: Gavotte en Rondeau” by Ana Vidović. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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